Story Designer
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Relationships in the plot

Relationships in the plot are a very important aspect that should be addressed when creating a screenplay.

It is clear that a film includes various characters, and they are very important to it. Once we have them, it's worth establishing what kind of relationships exist between them. Are they friends, neutral toward one another, or enemies? How do they react when they see each other? Do they show joy or reluctance?

 

This is very useful, and this list should always be kept on hand to avoid unnecessary inconsistencies.

For example, after writing many pages of a script, we might forget that Character A dislikes Character B and start creating a scene in which A suddenly likes B for no reason - and a few pages later, we reverse it again. There must always be some reason for such changes; if the viewer notices inconsistencies, they may lose trust in the film.

Of course, relationships aren't only between characters. A character may also have relationships with locations or objects. These are important too, because understanding them helps build a space that further defines the character, makes the scene more believable, suits the situation, and serves a functional purpose.

This means, for instance, that if the hero behaves chaotically, their room may be messy. They can never find anything, and this can be used in the action. For example, they see the people chasing them and want to escape to the roof, but they must take some functional object that those pursuers came for. However, since their place is a total mess, they can't find it. This trick can enhance the scene, as the audience feels tense, wondering whether the hero will:

  • find the object,
  • manage to escape in time,
  • or have to hide in the apartment, etc.

Relationships also exist between people and objects. It may turn out that a character, without their equipment, loses all the power that used to frighten everyone around them.

Surprisingly, relationships can also exist between locations and objects. Yes, they can! Some objects don't work in certain locations, or locations are neutralized by specific objects. Let's not forget that some locations and objects can themselves be characters? The simplest example could be a refrigerator equipped with artificial intelligence that becomes a character.

In the Story Designer program, there is a feature that allows you to describe relationships between people, locations, and objects.




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